Works by Karoly Kos

„Az épület történetéhez tartozik az is, hogy az eredeti programmon kívül ugyancsak a múzeum telkén, a múzeumépület nyers befejezésekor azonnal hozzáfogtunk két múzeumőri lakóház építéséhez is,

The Lecture Hall, the Director's Office and Residence and the Music Pavilion were never realised.

This housing estate conceived by the Wekerle administration in 1908 was one of the largest of its kind in Europe and was constructed with the character of a garden city at a site that was then outs

“This church is the creation of the Hungarian spirit, and the Hungarian style that has arisen from this spirit is a treasure.” (Debreczeni László: A kolozsvári monostori-úti református tem

“And then in autumn (1913), I obtained my most significant architectural commission up to this point, and in an entirely peculiar way as well, the duties as designer and construction overseer f

In September of 1913, Károly Kós set off on a month-long study tour of Transylvania with his colleague Dezső Zrumeczky. They mention Enyed (Sângătin, Romania) as one of their stops.

This is a single-story pavilion with a T-shaped ground plan.

This was the largest hospital pavilion, with a symmetrical arrangement and an upper story.

This was a single-story building with a symmetrical ground plan. The entrances opened from separate terraces on either side of the central section that projected outward from the main façade.

According to the plans, this was intended as the crowning element and entrance to the hospital complex.

The distinctive elements of the main façade of this two-story building were the two Voysey-style gables that symmetrically framed the recessed central section containing the main entrance.

In 1922, Károly Kós pointed out the plight of two churches in the Kalotaszeg region that were destined for demolition in his article entitled “Ancient Churches” in the pages of Vasárnap (